Dialog is a balance of opposing forces. On the one hand, it’s supposed to be two or more people talking to each other, so it can be considerably less formal than most narrative; on the other hand, it’s not a transcription or recreation of an actual conversation,
Read more →“Show, don’t tell” has been basic fiction writing advice since Homer. It could be rendered less colloquially as “Dramatize, don’t summarize,” but either way, it doesn’t say “Show everything, tell nothing.” This leaves many beginning authors with two unanswered questions: 1) How, exactly, is showing/dramatizing different from
Read more →When someone says “description,” most people think of static passages – a page telling the reader details about the current setting or background, or a paragraph about a character’s appearance. This isn’t the only way to approach that sort of description, though. It is often more memorable
Read more →Description is as much about what you choose to describe and when you choose to describe it as it is about how you describe it. Furthermore, there are really significant differences in how much description different readers like or can even tolerate, and no writer is going
Read more →The last two posts have talked about the basic parts of a plot. How you get to it – the process of building or fixing a plot – is pretty basic, too. The specifics tend to vary from writer to writer, and often from book to book,
Read more →