Borrowing

Borrowing One of the shortcuts a writer can use for any of the Big Three story elements (plot, characters, setting/backstory) is to borrow them from somewhere else. “Somewhere else” covers a lot of ground; the caveat is that if one is going to borrow from anything that

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Doing the work

I spent last weekend at a steampunk convention as one of their author guests (I was supposed to be there in 2020, but…). It was the first time I’ve gone to a con since 2019, and it was refreshing, in spite of my various travel glitches (I

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Living the dream?

As some of you may be aware, the last year has involved a lot of expensive home repairs for me, mostly involving having to replace major appliances (furnace, water heater, air conditioner, computer, sewer line) plus minor repairs to several others. During one of my meetings with

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Exposition

There’s a scene in the Great Muppet Caper in which Lady Holiday, while interviewing Miss Piggy for a receptionist job, tells her a lot of personal information about her family relationships and the valuable jewelry (the Baseball Diamond…) she is going to put on display. When Miss

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“But I don’t want to…”

Twenty-some years ago, I was observing a break-out session at a writer’s conference (there were four scheduled during the day, following the keynote speaker; those of us who’d been brought in to do the break-out sessions were asked to do three, and had the option to sit

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Consequences and Payoffs

Like setup and foreshadowing (see last week’s post), payoff and consequences aren’t quite the same thing. If you look up the definitions, the writing-relevant one for “payoff” is “a final outcome or conclusion,” while the one for “consequences” is “the result or effect of an action or

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Foreshadowing and setup

Foreshadowing and setup aren’t quite the same thing, though they’re often talked about as if they were. The same thing happens with payoff and consequences. Each pair has a lot of things in common, and sometimes the same event or bit of information can act as both

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