Balance

Working with plots is a balancing act. And it’s not a teeter-totter balance, where one side goes up when the other goes down and you just have to get the weight exactly right on both ends to make it level and steady. No, plots have to balance

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Why Writers Get Stuck, Part 3

In the last two posts, I’ve talked about six of the reasons writers get stuck. These are the last couple I can currently think of: External factors. Sometimes, these are relatively minor things, like an addiction to a TV series or a deep desire to spend the

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Why Writers Get Stuck, Part 2

Last week, I talked about the three most common reasons for a writer getting stuck:  first, that it’s actually part of their normal process, second, the fear of some stretchy or tricky bit that comes next, and third, that they’ve actually made a mistake and their backbrain

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Why Writers Get Stuck, Part 1

First, thanks for all the well-wishes. I really appreciate them. I’m not quite back to full power just yet, but much better, hence this delayed but still present blog post. “Writer’s block” is a term that gets used for everything from the pathological inability to produce a

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Apologies

Your regular blog post will resume next week, when I have gotten over this cold/flu thing and can breathe again.

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Defending One’s Time

One of my writer-friends, back when she had several toddlers and a day job to fit writing around, used to say that no one else will defend your time for you. You have to do it yourself. Which means you have to make writing one of your

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The Hero’s Journey

The hero’s journey   If you’ve read much how-to-write advice in the past forty years, you’ve probably seen much talk of “The Hero’s Journey,” which is supposed to be the fundamental template or structure that lies underneath all great stories. It’s generally attributed to Joseph Campbell…but really,

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Talent and criticism

Last week, I kept stumbling across stories about the different responses people have to feedback.  The first couple came in the form of two versions of the old story about the violin maestro. He was approached by a young student who wanted the maestro’s judgement on his

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Missing Ursula le Guin

Ursula le Guin was one of the greats of the SF/F field. It hurts to have to write that sentence in the past tense, even though 88 years is a good run by anyone’s standards. I’ve been reading le Guin’s work since I was thirteen and Rocannon’s

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Making it Perfect

Everyone I know wants to do good work. Very few will admit to wanting their work to be perfect, either because they’ve had “nothing’s perfect” drummed into them, because they don’t want to appear to be saying that they are so good they can write perfect fiction

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