One of the questions everybody seems to ask writers – right after “Where do you get your ideas?” – is “Do you have a time of day when you write?” I can’t figure out whether they want me to say “yes,” hoping that writing is the same
Read more →A lot of my friends have trouble writing action scenes. Not on the sentence-by-sentence level – they know all the tricks and tips – but on a more general level. They know that their first-person viewpoint character is only going to have a close-up, confused picture of
Read more →Infrastructure is all that everyday stuff we take for granted, from roads and bridges to garbage collection and cell phones. It’s one of the things that allows societies to function smoothly, if they want to. It’s vitally important…and it’s also vastly boring. Consequently, writers tend not to
Read more →Earlier this week, Minnesota Public Radio replayed an interview with novelist Richard Ford, and some of his comments (around 23 minutes into the broadcast) got me thinking about landscape. First off, landscape isn’t the same as setting. They overlap, of course, but one can tell an urban
Read more →So I’m back from five days at the Sharjah Children’s Reading Festival in the United Arab Emirates and beginning to recover from the hideous jet lag and nearly 24 hours of travel (each way, counting layovers and plane delays) that it took to get there. Since I’m
Read more →One of the worst criticisms that can be leveled at an author is “He has a tin ear for dialog.” In short form, it means the writer in question doesn’t do dialog well; in the longer version, it means the writer has no sense of the rhythms
Read more →“If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.” – Anton Chekhov, quoted in Shchukin’s Memoirs At
Read more →Beats and plot points aren’t the same thing, though they sometimes sound as if they ought to be. Basically, plot points are about content; beats are about rhythm. Beats make a pattern; plot points make a causal chain. They support and depend on each other, but they’re
Read more →Every story needs to open with a hook, or so says conventional writing wisdom. Conventional writing wisdom, unfortunately, seldom goes on to address the obvious question: Just what is a hook, anyway? And how do you write one? There are three things everybody seems to agree upon
Read more →The first I heard about the Boston Marathon bombing was when my father called Monday evening to tell me my nephew was uninjured. My nephew goes to school in Boston, and had been watching the race, but not at the finish line. I’d been driving home from
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