The other day I ran across an article on writing scenes, and the very first tip in it was “stick to one viewpoint per scene.” Based on context, the writer meant “stick to one viewpoint character per scene,” because it is rare for a writer to switch
Read more →A lot of story analysis and critique starts by focusing on macro-level aspects of storytelling: characterization, narrative, worldbuilding, plot, and the ways one develops or reveals these things over the course of a novel. Ultimately, though, how one presents characterization, growth, personality, action, worldbuilding, plot, and everything
Read more →I’ve seen quite a few new writers come near to wrecking their work by trying to follow well-intentioned advice about what must go in a story. Oddly enough, the two most common pieces of story-wrecking advice are diametrically opposed. The first is: “Your main character must change
Read more →Description is as much about what you choose to describe and when you choose to describe it as it is about how you describe it. Furthermore, there are really significant differences in how much description different readers like or can even tolerate, and no writer is going
Read more →The other day, somebody asked me what the best and worst writing advice I’d ever gotten was. The best was easy: “Learn to type.” My mother was the first to give me that particular bit of writing advice, though I’ve seen it since coming from a variety
Read more →One of the many things nobody warned me about when I was getting started was all the self-proclaimed “experts” who would show up and start giving me advice about my writing career, whether I wanted it from them or not. By and large, these are not people
Read more →
