Starting a completely new story is exciting. There aren’t any constraints to worry about: no dangling plot threads that you have to tie up, no previously established background that you have to stay consistent with, no inconvenient mysteries or revelations that you’re stuck with. It’s a clean slate,
Read more →Back in 1947, in an essay titled “On the Writing of Speculative Fiction” (since reprinted several times), Robert Heinlein wrote five rules for people who want to become professional writers. They’ve been republished many times, and for the most part, they’re still good (I’ll get to that
Read more →Dialog is one of the bedrock necessities in about 99% of all fiction. Plays and screenplays are almost nothing but dialog, and it’s not unusual to see whole scenes or entire short stories that are told entirely in dialog (sometimes, without even speech tags to let the
Read more →Probably the most often-asked question writers get is “Where do you get your ideas?” Very few people ever ask “What do you do with your ideas once you have them?” though that seems to me to be the logical next step. It seems a good many people
Read more →“I don’t have time to write” is one of the most common writers’ complaints, both from people who haven’t published yet and from seasoned pros. The statement means different things to different people, but the most common meaning is “There are a lot of other things in
Read more →Early on in nearly every story, the writer comes across the necessity of doing a physical description of their characters, and their main viewpoint character in particular. There are two basic schools of thought on this. The first is to keep details to a bare minimum –
Read more →These days, when people talk about a “Cinderella Story,” they mostly mean the rags-to-riches part. Whether it’s a Cinderella sports team that’s just won the championship (and never mind all the sweat and practice and planning that went into it), or J. K. Rowling’s welfare-mom-to-gazillion-copy-bestseller story, what
Read more →Nearly every writer has what I call a “default setting” for many or most of the basic pieces of writing. They tend to automatically write in first person, or third, or multiple viewpoint. When they’re thinking up stories or developing ideas, they gravitate toward the action/adventure plot,
Read more →Most people just read books. That is, they absorb the information, or enjoy the plot and characters, without thinking too much about how and why they work. It’s a lot like watching a play, or a magic show. It’s supposed to be relaxing, so sit back and
Read more →A bit ago, I got asked to do my standard rant on this. I put it off ’til the book was done, but it’s done now. So here’s the short form: Read a story. Does it work? Yes? Then it’s good. The problem with the term “good
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