First a couple of announcements and links. This is the last week to apply for the Odyssey Workshop class on worldbuilding that I will be teaching in January. The sign-up page is at https://odysseyworkshop.org/worldbuilding.html; there are also some posts at https://www.facebook.com/OdysseyWorkshop, https://twitter.com/OdysseyWorkshop, and https://www.instagram.com/odysseyworkshop/. And I had a lovely
Read more →Writing isn’t easy. Everybody says so – pantsers, planners, linear writers, nonlinear writers, plodders, burst writers … everybody. So why do so many of us make it harder than it already is? People who are natural short story writers have their hearts set on writing novels. People
Read more →One of the ways writers attempt to make themselves produce more words fast is to give themselves quotas and/or deadlines. “I will write 1,000 words/four pages/for three hours every day/week/month.” Most of the time, this doesn’t work terribly well for me, for several reasons. The most obvious
Read more →Over the last couple of decades, I’ve noticed that more and more of the newer writers are over-describing things. It looks to me as if they are attempting to create a clear and specific image in words, the way a camera does with, well, a photo. At
Read more →The hero’s journey If you’ve read much how-to-write advice in the past forty years, you’ve probably seen much talk of “The Hero’s Journey,” which is supposed to be the fundamental template or structure that lies underneath all great stories. It’s generally attributed to Joseph Campbell…but really,
Read more →As many readers of this blog know, I am a knitter, and have been for years. When I first learned to knit, I wanted strict directions for anything more complicated than a rib-stitched scarf: a pattern that calls for this yarn and that needle size. I focused
Read more →“Show, don’t tell” has been basic fiction writing advice since Homer. It could be rendered less colloquially as “Dramatize, don’t summarize,” but either way, it doesn’t say “Show everything, tell nothing.” This leaves many beginning authors with two unanswered questions: 1) How, exactly, is showing/dramatizing different from
Read more →When someone says “description,” most people think of static passages – a page telling the reader details about the current setting or background, or a paragraph about a character’s appearance. This isn’t the only way to approach that sort of description, though. It is often more memorable
Read more →Description is as much about what you choose to describe and when you choose to describe it as it is about how you describe it. Furthermore, there are really significant differences in how much description different readers like or can even tolerate, and no writer is going
Read more →The last two posts have talked about the basic parts of a plot. How you get to it – the process of building or fixing a plot – is pretty basic, too. The specifics tend to vary from writer to writer, and often from book to book,
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