Basics: Plot, part 2

Quick review: Plot, in its most basic version, goes like this: A character (or characters) have a problem Where something important is at stake That the character(s) care deeply about. They try to solve the problem, and Eventually succeed or fail. I went through the first three

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Basics: Plot, part 1

By popular demand, I’m starting the “basics” posts with plot. Plot, in its most basic version, goes like this: A character (or characters) have a problem Where something important is at stake That the character(s) care deeply about. They try to solve the problem, and Eventually succeed

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Back to basics

Every skill, including writing, starts with a bunch of things that are really basic. If you want to be a carpenter, you learn to hammer nails and saw wood; if you want to be a writer, you learn how to write clear, coherent sentences. After a while

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Experimenting early

Over the past few months I’ve had a number of writing questions that superficially are all very different, but that, if you back off a bit and look at them, boil down to “Ms. Wrede, why do people keep telling me that I can’t/shouldn’t use XYZ non-standard

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Making it up in general

Writing fiction comes in two parts: making it up, and writing it down. For some writers – the seat-of-the-pants sort who just sit down and wing it – the two things happen simultaneously, or at least so close together that it is practically impossible for anything working

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Actions speak loudly

The term “action,” like many terms in writing, covers a lot of ground. Some is obvious: a chase scene is action; so is a boxing match, a brawl, a battle, a gunfight. The scene where one guy is clinging to the railroad trestle and the other guy

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Little things

The subject matter of a story is seldom what really makes it interesting to a reader. A great idea that can be summed up in one tantalizing sentence may attract attention, but what keeps the reader going past the first page is a combination of the subject

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