Back in high school, I read a lot of mystery novels, many of which were police procedurals, and I got the basic triumvirate for figuring out who was the killer pounded into my brain: Means, motive, and opportunity. They actually apply to any villain undertaking any dastardly
Read more →Yesterday, while bemoaning my lack of blog post topics to my walking buddy over our post-walk stop at the coffee shop (she gets coffee; I get tea), I had a revelation. (OK, not a big heavenly-choirs, life-changing sort of revelation, just a tiny hey-I-can-turn-that-into-a-blog-post revelation, but I’ll
Read more →There are two basic approaches to combining or developing ideas and story: in-depth development, and the kitchen sink approach. These are opposite ends of a continuum, of course; there are very few writers who work strictly one way or the other. Still, it’s useful to think about
Read more →“There’s more to the theater than repetition. There’s more to the theater than repetition. There’s more to the theater than repetition… “But not much!” – The Flying Karamozov Brothers There are some basic things about writing that people who’ve done it for a while tend to
Read more →My walking partner and I were talking the other day about the sorts of assumptions people make about books, and she said something that made me pause to think. I can’t give you the exact phrasing, but the basic sense of it was that literary and mainstream
Read more →April 15 is coming up fast, and for anyone who made money writing, it tends to be rather traumatic. No matter how much you set aside from your payments, it never seems to be enough (for those of us in the U.S., that 15% Social Security payment
Read more →Nearly every piece of fiction has one main character and one central problem. Even when the story is told from multiple viewpoints with an ensemble cast, each of whom has a different important plotline, there is almost always one plot problem that is the problem that the
Read more →“When I use a word,” Humpty Dumpty said, in a rather a scornful tone, “it means just what I choose it to mean-neither more nor less.” – Lewis Carroll One of the things I didn’t understand when I started writing was the pliability of words. Oh, I
Read more →“I don’t CARE what happens to these people.” – Dorothy J. Heydt Stories are, at bottom, about people (or people-analogs, like anthropomorphized talking animals). But more than that, they’re about people or people-analogs that the reader cares about. Hooks and cliffhangers, opening in medias res, lots of
Read more →“It’s not what you don’t know that kills you, it’s what you know for sure that ain’t true.” – Mark Twain One of the things that a great many people seem to know for sure is that they don’t need any knowledge of the rules of grammar,
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