Like most readers, I really hate it when my favorite character dies, whether it’s in mid-story or right at the end (though the longer the character has been around, the more I’m invested and the more I hate losing them). But there are some stories that I
Read more →Primary characters are the big ones: the hero/protagonist, the villain/antagonist, the main viewpoint character. These are the characters the reader identifies as the ones the story is about. They’re the ones with the biggest stake in the outcome of the story, and usually they’re the ones who
Read more →First, a small announcement: Amazon has my Lyra novels on their Kindle monthly deal for $3.99 for the whole month of February, so if you don’t have them in e-book and want them, this is a reasonably good time to pick them up. On to the post.
Read more →Minor characters are the second rung up from walk-ons. They occupy many of the same niches as walk-ons – cab driver, waitperson, store clerk, army private, city guard, maintenance worker – but they’re not just there in the background. They interact with the central characters in more
Read more →Having lots of viewpoint characters is usually one major reason for a proliferation of subplots. Each viewpoint character is the protagonist of his/her own story, and that story inevitably has its own subplots. So if you normally find that your stories have two subplots, and your novel
Read more →One of the current fundamental tenets for writing fiction is that in order to be a “good book,” the central character in the story has to change as a result of the events in it. If one attempts to question this “requirement,” one is informed that if
Read more →Every person in the world has their own perspective, and most of them are different from yours. It follows that if you want to do realistic characters, many (if not most) of them will have perspectives that differ from yours. Which means that in order to make
Read more →One of the bits of writing wisdom that crops up quite often is that writers find villains more fun to write than heroes. The usual reason given for this is that villains have flaws and are therefore more complex and interesting characters than your typical hero. This
Read more →Starting with a setting, rather than with a plot or characters, is a lot more common than many non-writers think. This is because “setting” as used by writers encompasses a whole lot more than simply the physical environment. Yes, you will occasionally hear a writer say “I
Read more →Every writer I know has a lot of trouble with some part of the making-up process. The most common difficulties seem to be with plot, or with characters…and quite often, the people who find making up characters “the easy part” have horrible difficulties with plot, and vice
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