Character-based plotting…not

The first time I heard an editor talk about character-based plotting, it made me think I was doing something wrong. (This was around 25 years ago, mind.) “Your characters have to want something, and want it badly,” he said. “That’s where you start. All the best plots

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Series flaws

For a variety of reasons, I’ve been rereading a couple of different series recently, even though I gave up on both of them somewhere between book 8 and book 12. One was a mystery series, the other science fiction…but both of them had similar problems. When I

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Opinions on villains

“A villain is the one who knows the most and cares the least.” – Chuck Klosterman  I get a lot of good blog ideas from radio quotes. That one came in a July 9, 2013 NPR segment interviewing Mr. Klosterman, who has just written a book about real

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Simple and complex

OK, first as regards the computer problems: They are tearing down and rebuilding a house just down the street from me, which evidently was the cause of the problem. Unfortunately, the work is ongoing…and on top of that, they are going to start tearing down and rebuilding

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Secondary characters

Once you know enough about your main characters to go on with, you have a whole raft of additional characters who also need to be dealt with. Six realistic, deeply realized, well-rounded, fully developed characters surrounded by five or fifteen or thirty cardboard cutouts do not make

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Booting up the Characters

There are a couple of truisms in fiction, and one of them is “stories are about people.” I’d say “Most stories…” but unless you’re really setting out to write something like Islandia or Utopia or Voyage to Arcturus, you can pretty much go with the truism. This

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Noon vs. Midnight

“You can’t tell stories about sunshine.” – Garrison Keillor Last Sunday, I was listening to “A Prairie Home Companion” as I frequently do of a Sunday morning, and the news from Lake Woebegone was about a group of men going out bass fishing on a day that

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Being mean

Lots of writers talk about being mean to their characters. Lots of critique groups tell writers to be meaner to their characters, to figure out what the worst possible thing is that can happen to that character, and then somehow make it happen. Of course, it has

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Plots without villains

More than once over the years, I’ve run into writers who complain about writing villains or who have trouble finding a “Big Bad” for their stories. Usually, they’ve somehow gotten the impression that every story has to have a villain of some sort, who has to be

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