When is it over?

When is the story over? Really over, I mean, as in “this is the last paragraph, and what comes next is ‘The End’ at the bottom of the page.” This is usually some way after the big climax in which the central story problem is solved (they

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Reactions

One of the things that bites even experienced writers from time to time is giving insufficient consideration to the ways their characters react to things. (Me blogging about this has nothing to do with the fact that I just turned in the copyedit for The Far West

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Hooking the Reader

I’ve talked before about the opening of a story and some of the things that can go wrong with the all-drama, all-action, all-the-time “hook.” But it occurs to me that I haven’t talked much about what a hook is, or how to do it right. Hence today’s post.

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It’s All Material

A couple of posts back, nct2 asked what Other Helpful Stuff a writer could do – besides writing, taking classes, or learning new skills – to improve their work. I blinked at that a couple of times, because my very first reaction was “Learn to touch-type,” and

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Obstacles

One of the supposed truisms of writing is that a good plot must have conflict. And while this is, in fact, true, I’ve seen it misinterpreted so many times that I thought I’d talk about it a little. The problem always seems to come in the definition

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Tag, You’re It

Yesterday, while bemoaning my lack of blog post topics to my walking buddy over our post-walk stop at the coffee shop (she gets coffee; I get tea), I had a revelation. (OK, not a big heavenly-choirs, life-changing sort of revelation, just a tiny hey-I-can-turn-that-into-a-blog-post revelation, but I’ll

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