One of the ways writers attempt to make themselves produce more words fast is to give themselves quotas and/or deadlines. “I will write 1,000 words/four pages/for three hours every day/week/month.” Most of the time, this doesn’t work terribly well for me, for several reasons. The most obvious
Read more →A character’s backstory – all the stuff that happened to them prior to the start of the novel – starts with the highs, lows, traumas, and major life events of the character’s past. This is the stuff that has shaped the character’s personality – what they want,
Read more →One of the reasons I spent the last two posts on the process part of revision is that I believe that understanding your process saves enormous amounts of time in the long run. Specifically, having some idea how your first-draft process works and what exactly you’re trying
Read more →Ultimately, writing is all about keeping the reader reading. There’s all sorts of advice out there on how to do this, ranging from cheap tricks to dense psychological analysis. Ultimately, though, all of them are a means to an end, and the end boils down to this:
Read more →For a lot of writers, endings are the hardest part of plotting. Either they know where they want the story to end up, but not how to get there, or they know a lot of things about the story, but can’t seem to work out what the
Read more →“The best ideas don’t need to be sought out at all; you just have to train yourself not to swerve out of the way when they jump out in front of you.” – Jon Forss Brainstorming is a mental activity, so it is unsurprising that most of
Read more →“Developing an idea” is one of those writing phrases that doesn’t have a precise definition. Ideas change and expand and twist throughout the entire writing process. The ways a writer goes about encouraging or discouraging these developments differ, depending on where in the process they are. Pre-writing
Read more →One of the experiences that is common to most long-time readers is that of running across a book that they loved when they first read it (usually ten or more years previously), settling down for an enjoyable re-read, and realizing that the book is horrible. It’s not
Read more →The plot-centered story is popularly assumed to be the territory of the action-adventure story. This is because action-adventure pretty much requires a strong plot. But we’re talking about process here, and the way writers make stuff up, and that means that the kind of story is irrelevant.
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