Rewriting the past

“The past is a foreign country; they do things differently there” – L.P. Hartley  One of the tricky aspects of writing books set in any vaguely recognizable version of history is the inevitable clash between now and then, on pretty much every level. There are an enormous

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Mailbag #5

What first inspired you to write? I hate questions like this because they make so many assumptions about “inspiration.” But since you ask… Probably a combination of my mother, my father, and the family I grew up in. This tends not to be the answer people are

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TANSTAAFL

As any devoted Heinlein fan knows, TANSTAAFL stands for There Ain’t No Such Thing As A Free Lunch. It’s one of those obvious truths about the world, like Murphy’s Law, that ought to go without saying, yet people seem to need to be reminded of it over

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Da Rulez

Recently, I got an email from a reader asking about the relationship between a writer’s success and/or fame and that writer’s ability to disregard the rules of writing and still have their books be considered great. The two sides of the argument seemed to be 1) once

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Writing myths

There seem to be two basic myths about How Writers Work. The first is the painfully slow, unbelievably picky Brooding Poetic Genius typified by the Oscar Wilde remark about having a good day writing because he’d spent the morning removing a comma and the afternoon putting it

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Lightning and the Lightning Bug

A bit over a hundred years ago, Mark Twain made the famous remark that “The difference between the right word and the almost-right word is the difference between the lightning and the lightning bug.”  At around the same time, Gustave Flaubert came up with his le seule

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