Writing isn’t magic. You can’t just say “Presto! A rabbit!” and pull a rabbit out of a hat. (Well, you can, but nobody is likely to believe it.) No, if you’re going to pull a rabbit out of a hat, you have to start by sneaking the
Read more →Lots of writers talk about being mean to their characters. Lots of critique groups tell writers to be meaner to their characters, to figure out what the worst possible thing is that can happen to that character, and then somehow make it happen. Of course, it has
Read more →More than once over the years, I’ve run into writers who complain about writing villains or who have trouble finding a “Big Bad” for their stories. Usually, they’ve somehow gotten the impression that every story has to have a villain of some sort, who has to be
Read more →“He was already dead when I got there” is a common claim in mystery novels, but all too often it’s also the answer when fans ask writers “Why did you kill off my favorite character?” And as with mystery novels, the claim is frequently disbelieved, especially when
Read more →“If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.” – Anton Chekhov, quoted in Shchukin’s Memoirs At
Read more →The other day somebody asked me what a plot point was, and I had to stop and think about it. As usual, when I have to stop and think about anything writing-related, I end up doing a blog post to clarify my thinking. “Plot points” are one
Read more →For some reason, I feel like talking about query letters again, possibly because I’ve recently been the recipient of a couple of queries that can only be described as dreadful. I begin with a couple of definitions: A query letter is a one-page business letter that presents
Read more →Every story has a beginning, a middle, and an ending. That seems like a pretty obvious statement, until you start looking at all the different ways of analyzing stories: the three-act structure, the four-act structure, the five-act structure, the four-acts-plus-teaser structure, linear, nonlinear, parallel running scenes, reverse
Read more →(No, this post is not about vampires.) The question “what’s at stake for the characters?” has been much on my mind lately, as it’s been at the root of some of the difficulties I’ve been having developing a plot for my current work-soon-to-be-in-process-I-hope. I have what I
Read more →I got in a discussion the other day with a writer friend who’s having difficulty moving forward with her story. I’m having similar problems, so we sat down to compare notes. “So what’s the plot?” I said, because I’m a plotty kind of writer. “Well, there’s this
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