Andromeda and More Stakes

Lots of writers have a problem figuring out what the actual stakes are (as opposed to the perceived stakes). Quick review: the actual stakes are what’s really at stake for the character; the perceived stakes are what the character currently thinks is at stake. One reason for

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Stakes

OK it looks like I’m going to do a series of posts on plot. Let’s start with the stakes. Objectively speaking, the stakes are the thing that is to be lost or gained, depending on how things go. The stakes are crucial; if they don’t matter, the

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Ideas and plot-noodling

Deep Lurker wanted to know what my ideas look like when I come up with them, specifically whether they’re just concepts or whether they have skeletal plots attached. Unsurprisingly, the answer is “It varies.” The slightly longer answer is “It varies A LOT.” To give you a

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The Characters’ stories

Every character in every book has their own story, and each character is the hero of his or her own story. This piece of writing wisdom has been around for at least as long as the novel has, but too often, writers don’t think about the implications

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Too easy

At one of the recent conventions I attended, I ran into a writer who was having what she referred to as plot problems. Actually, they sounded more like ending problems; according to her, she did fine at creating all the setup, but then when she got to

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Turning points

“Turning point: The point at which a decisive change takes place.” – Oxford American Dictionary Some while ago, I got about a half-page of questions on turning points from someone who was writing an article on the subject. They were an odd mix of the sort of

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Fixing Chapter One: Plot

The second deadly Chapter One problem that was mentioned in the article that started me off on this series was “The action is weak or meaningless.” This is obviously a problem, but simply saying “Make it strong and meaningful instead” doesn’t tell you much about how to

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Plotting in bits and pieces

There are a myriad of books out there on how to construct a plot. Most of them, so far as I can tell, seem to take one of two approaches: either they focus on the main character as the driver of the plot, or they focus on

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Yet more plans…

OK, since there seems to be yet more interest in plot planning and prewriting and how to do it, you get still more posts on the subject. This one is on alternate ways of doing plot-related planning; next one will be on the kind of outline you

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