Meeting the author

A while back, I had a frustrating conversation with a guy who claimed to want to write. I’d hoped for better, given his email (which was why I agreed to meet him in the first place), but…well. So here are some of the things he did right, and a

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Being edited

“So how can you stand being edited?” is a question that’s been coming up at conventions lately. The subtext usually assumes that all editors are a) idiots and/or b) out to ruin everyone’s brilliant manuscripts, and that they must therefore be fought off with every bit of

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Keeping records

It’s tax season again, which means loads of published writers out there are cursing their lack of record-keeping and vowing to do better next year. Fortunately, early March is usually not so late in the year that the very idea of going back over all the business

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Meddling or editing?

Patricia, what is the dividing line between editing and meddling? The retitling of one of the Harry Potter books comes to mind.- Gene Wirchenko There are a lot of flip answers I could give to this question, because it’s based on a fundamental misconception about the publishing process: 

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Deadlines

So MaKayla asked about deadlines, specifically whether they’re good or bad, interfere with the process or enrich it, etc. The answer is “It depends on the writer.” I know writers who freeze up at the mere thought of a deadline, and writers who can’t seem to write

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Query letter bad examples

A quick recap from last time: the primary principles to apply when writing a query letter are that you keep it short and specific; that the story synopsis matches the book; and that you are not coy in the manner of back-blurbs. Just in case somebody isn’t

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Query letter principles

Lately I’ve been getting a lot of queries about, well, queries. So I figure that it’s probably time to do a post on them, even though I feel like I’ve been talking about the “boring business stuff” an awful lot lately. Anyway, the first thing I’m going

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Long-range thinking

Back when I was getting started, I had the privilege of talking to a number of long-established SF/F writers and writer/editors – Ben Bova, Gordon R. Dickson, L. Sprague de Camp, et al. One of the things I noticed sort of vaguely at the time, but really

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Collaborating, Part 2

One of the great things about collaborating is that if you pick the right collaborator (and the right method), you can write until you get to a sticky spot, then hand it off to your collaborator and let them deal with it. In most cases, what is

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Collaborating, Part 1

People go into collaborations for different reasons…and each project, and each co-author, is a different situation. Sometimes, two or more writers collaborate because they came up with a brilliant idea in the bar at three in the morning…and next day, it still looks brilliant and fun. Sometimes,

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