Out of ideas?

So Minicon was last weekend, and in among seeing lots of friends (and managing to miss seeing far too many others) there was the usual crop of questions – what are you going to write next, where do you get your ideas, etc. Including one poor fellow

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More on Prologues

The whole point of a good prologue is to do something that the writer cannot do in the main part of the story without violating some important aspect of storytelling, like chronology or viewpoint or continuity. For instance, if the main story is told entirely from the

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The Problem with Prologues

Prologues are out of favor these days, one of the “forbidden” (by whom?) writing techniques, yet people keep asking about them because they know intuitively that the technique has enormous possibilities. Quite a few folks go ahead and use them anyway. Sometimes this works brilliantly; other times,

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Not Flashing Back

Flashbacks are one of those indispensable writers’ tools that tend to alternately get encouraged and discouraged, depending on whether or not they’ve been overused and abused recently or not. They’re a way of slipping the reader back into the past of the story, so that a particularly

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Keeping track

When a writer has a big, complicated novel with lots of subplots and plot arcs that need to weave around each other, there are two main things he/she needs to do: 1) keep track of all the things that are going on offstage and in different plot

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Metaphorical manuals

This summer, I got a new car. Well, new to me – it belonged to Dad for several years, until he decided that with Mom gone, he didn’t really need two cars and he liked the other one better. Anyway, it’s a 2008 model, with lots of

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Making an impact

A novel is not a movie; writing a scene is not the same as filming one. It is amazingly easy to forget this, when we are constantly bombarded with visuals in our everyday lives, from movies and TV, to YouTube and those animated ads that are all

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Reactions

One of the things that bites even experienced writers from time to time is giving insufficient consideration to the ways their characters react to things. (Me blogging about this has nothing to do with the fact that I just turned in the copyedit for The Far West

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