One of the great things about collaborating is that if you pick the right collaborator (and the right method), you can write until you get to a sticky spot, then hand it off to your collaborator and let them deal with it. In most cases, what is
Read more →People go into collaborations for different reasons…and each project, and each co-author, is a different situation. Sometimes, two or more writers collaborate because they came up with a brilliant idea in the bar at three in the morning…and next day, it still looks brilliant and fun. Sometimes,
Read more →There is an old saying that goes something like: “You can have it fast, you can have it cheap, you can have it good. Pick any two.” Meaning that if you want it fast and cheap, it won’t be good; if you want it fast and good,
Read more →For a certain kind of writer, the opening of a story is easy and fun – you get to allude to mysterious events and drop ominous clues. And then comes the middle, where all the stuff you’ve been alluding to has to start showing up and actually
Read more →The whole point of a good prologue is to do something that the writer cannot do in the main part of the story without violating some important aspect of storytelling, like chronology or viewpoint or continuity. For instance, if the main story is told entirely from the
Read more →Prologues are out of favor these days, one of the “forbidden” (by whom?) writing techniques, yet people keep asking about them because they know intuitively that the technique has enormous possibilities. Quite a few folks go ahead and use them anyway. Sometimes this works brilliantly; other times,
Read more →Flashbacks are one of those indispensable writers’ tools that tend to alternately get encouraged and discouraged, depending on whether or not they’ve been overused and abused recently or not. They’re a way of slipping the reader back into the past of the story, so that a particularly
Read more →Once again, I have been driven to frothing at the mouth by a would-be writer-and-critiquer’s thick-headedness in regard to both the construction of the English language and the so-called rules he’s trying to apply, and you folks are going to have to put up with the resulting
Read more →When a writer has a big, complicated novel with lots of subplots and plot arcs that need to weave around each other, there are two main things he/she needs to do: 1) keep track of all the things that are going on offstage and in different plot
Read more →First off, thanks to everyone who commiserated about the computer crash. I now have all my critical data back (including my in-process Skyrim game! Very important, right up there with the email archives, the address book, and the calendar. Books? Those were never the problem; I’m paranoid
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