So far, I’ve been mostly talking about the standard lump-of-description—the “descriptive paragraph” that many of us got assigned to write in middle school, the sort of thing that Deep Lurker summed up as something that needs cutting back to an amount most people want to read. Today
Read more →I think it was in fifth grade that I learned my first important principle of description, which a number of commenters on last week’s post mentioned—namely, to make use of all five senses, not just sight. Poul Anderson said once that he went over every page to
Read more →Description is usually considered as a part of worldbuilding. This makes sense, because everything in a story is part of the story-world (whether that’s Alpha Centauri Three, modern-day Beijing, or a tiny prehistoric fishing village), and every part of the story-world tells the reader more about what
Read more →One of the things that is important to a good many readers is getting a sense of place—that is, what the characters’ surroundings look and feel like. Back in the early days of the novel, that meant a lot of books going into five or ten pages
Read more →… I bog down in considerations of what the readers need to know, and if don’t put it right at the beginning then when, and how many flashbacks can one novel support? This is part three of the answer to that question, which can be summed up
Read more →Learning to describe things! … in trying not to overwhelm my readers with too much information because worldbuilding, I’ve been giving way too little re: scene setting. –LN Looks like I have a bunch of questions, which is great—it means I don’t have to think up as
Read more →The general consensus seemed to be that people wanted my stream-of-consciousness scene-developing example, so you’ll get that next week. In the meantime, here’s the technical post on moving characters around, that got interrupted because I can’t remember my own schedule for Open Mic days… Suggestion box: Could
Read more →Suggestion box: Could we have a post on moving characters around in a scene?…I struggle with how much detail to include on movement and on background. I don’t remember who described a scene as having naked characters sitting on clouds, but that’s about where many of mine
Read more →Reading involves a certain amount of mental inertia, simply because we are all humans and that’s part of how the basic brain setup works. By “mental inertia” I mean the underlying assumption that how things are, or how they have been for a while, is how things
Read more →Description in stories is fractal. No matter what the writer chooses to describe, there’s another level available if they want it. Describe a room: walls, floor, ceiling, furnishings. Describe the walls – stone or plaster, painted or natural, square or circular or irregular, empty or covered with
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